And they wanted me semi-conscious.
A few nice technicians picked me up mid morning, swept me off to a prep room where I signed some disclaimers and permissions, and off I went to the lab. Standard stuff.
...
On my way out I said, “I'm nauseous.” Instantly a hospital grade barf bag appeared before me.
But that's not the story I want to tell you, my reader. The story is what went on between the last two sentences. The story in the ellipses...
They wheeled me into the machine room. Delicately yet forcefully, they slid and scooted me onto a lab table.
“We're going to give you something that will relax you. You will be awake but won't feel anything,” a technician said.
“OK.”
“Some people describe it as being in the Twilight Zone.”
“OK.”
The 'something' came in two parts. A sedative and an analgesic. Ketamine and fentanyl, respectively. They pumped some cool liquid into my arm.
“Twilight Zone,” I pondered. “I always liked the Twilight Zone.” The thought continued.
Another cool sensation went into my arm.
“Except for the one where...
“WAIT A SEC-!”
And then there was twilight.
I was in the lab. People had just slid me onto the sled that would insert me into the machine.
The Great Machine.
An elevator brought me up to it. Or brought the Great Machine down to me. Either way, I was nose to sensor with it.
I looked back into the abyss.
“Now, Mr. Loux. You will be relaxed and hear what's going on around you. You'll have no anxiety or pain.
“?”
This won't take long.
“?”
And you won't feel a thing.
“!”
They put some plastic over me. Then left.
Which left me to survey the surroundings.
I was lying on my back under an enormous machine, which hovered an inch above my nose. There were lights on every part of it and some paneling with tracks bolted to it. Apparently, the machine is mobile. I don’t mean it could leave the building, just that it rode around on tracks in the ceiling.
That's it. That was the surroundings.
There was talking going on between four, maybe five technicians. I continued examining the machine.
"Yup, it's a machine, alright,” I thought.
But something was wrong. Let me check. I was taken from my room on the same hospital bed when I got here. Check. Wheeled out of my room, down some labyrinthine corridors, around a hall, up an elevator, all the time with my back parallel to the earth's surface, which was ‘down.’ Check. Picked up and slid onto a table looking up to a machine that was clearly above me. Check.
And then I was above it. Che-what?
I had the distinct and undeniable sensation that I was hovering below the floor-which was now the ceiling. And the machine was beneath the both of us. Nothing else had changed. Reality had just...
Swapped.
“I've got some two by fours. How many do we have here?” said a voice.
“Mumble, mumble,” mumbled a voice further away.
“There are some two by twos,” said somebody and was promptly cut off.
I ignored them, since they seemed to be speaking in a language called techtalk from the country of Angioplastyburg.
Other people chimed in. They seemed to be taking a long time setting up things. A very long time.
Couldn't they get on with it?
Now I seemed to be barely holding on to the ceiling nee floor, that I was lying on/hanging from. I was afraid that, at any time gravity would notice and say, “Hey. What are you doing there?!” That Gravity, his Majesty, would then pull out the stops and let me fall... into... the Machine.
I struggled. I didn't like lying on a table that was supposed to be ‘down’ but that was upside down and me hanging under it where I didn't have anything holding me there.
“Are you OK?” a voice that was above me or below me said into my ear.
“Yes,” I said. I tried to see which sides of 'Up' and 'Down' she was using. Her feet seemed to be on the right plane.
The background chorus had turned to other gibberish.
“Good. We'll be finished soon.”
“OK.”
What I heard was that they would start soon. About time.
I glanced around as best as I could. Everything looked as before, only disorientated. Whenever someone came nearby I scanned them to see if I could deduce what their 'down' looked like.
“This is madness,” I thought. My mind knew that I was on a table but my brain thought I was under it-hanging from it. Which one is right?
More murmuring. More jargon.
“Will they stop talking and smoking out back and start this thing already?” I thought. I had the feeling that they were just loitering around waiting for something. Nothing. “The more they do that the less I get out of here!”
Not that I had any place in particular to go to.
A woman, maybe the same woman, was back. She talked to me. Asked me what things I like to do. “Do you travel?” she asked.
“Yes,” I answered. “As often as I can.”
She asked me where I had been. I went through a litany of all the places I had been to. From Russia to Vietnam. From Peru to Istanbul. Israel and Kenya. I spoke a lot and freely of my adventures. It was lovely.
The tech reappeared. Moved some of the plastic off my face. Spoke.
“Your done!”
They wheeled me back.
Things looked... different.
Back in my room was a hive of activity. All the walls were covered in writing. Written with an off white ink on a blue background.
The text was cursive, lively, and everywhere. And by ‘lively’ I mean it was moving. Once in a while a drawing of a face would appear, drift along in the stream of literature, vanish.
“I gotta take a picture of that!” I said and promptly snapped some with my cell phone. But when I looked at it, all I saw was textured ceiling.
I spent a lot of time trying to read the animated text on my walls and wondering what had just happened to me. I felt paranoid. Like I had been through a CIA MKUltra experiment in mind control. Maybe the ink is some sort of non-photographical ink? I could see it but when I tried taking its picture, it vanished!
Something seemed not quite right…
They ran some tests and discovered that I was still losing hemoglobin. There’s another leak! A CT-scan not only confirmed it, but located it. A lesser leak nearby, which they had missed.
Back to the Great Machine.
This time the hallucinations were more vivid.
The CIA-Handler-Lady was still there. We were walking around in some big building. She was to my left but just out of sight. Something looked odd…
She seemed to be walking with me but standing on the wall behind me at the same time. Our bodies were at right angles to each other. Occasionally, somebody else would walk by, sometimes on the walls, sometimes on the ceiling.
“Tell me some more about yourself?” she asked.
“Is that what you asked me yesterday, the last time I was here?” I asked.
She ignored my question. I felt untethered. I was untethered from reality and not supposed to have any grip. I wasn’t supposed to know concepts like ‘yesterday’ and ‘here’ and ‘perspective.’
We walked around several hallways, sometimes passing people going their own ways and walking on their own walls in their own inertial frames. It was very Escher-like. Or Einstein-like.
Holes opened up in the floor as we plunged into them. Sometimes we would suddenly dodge into a side passage or around another corner.
“Hold still,” she said at a moment when we were not moving. Someone sprayed a foam on my back which blew up and encompassed me like a plastic pillow. It cushioned me and contained me at the same time.
Now we could fly through the halls and wells and corridors more swiftly. And we did. Up, down, sideways, upside down. Till we came to a stop.
I was standing at a wall, a moving wall. It was like a Buddhist sand painting, only not at all detailed. No seated Buddha. No demon palaces. Just black sand. And it was moving. There were geometric patterns in it. I tried to look around. To get my coordinates.
“Look down,” said the woman.
“What?”
“Just look down, you’ll be alright.”
I was already looking down.
She gently picked up my chin. “Look down, “ she said.
I looked at what at other times I would call ‘up.’ The patterns in the sand were mesmerizing. No pictures this time. No animated writing. Just a moving wall.
Someone got me. I was back in my bed. They wheeled me out of the operating room. A doctor asked me how I was.
“I’m fine,” I said.
“Really?” he replied.
“Yes.”
“No complications?” He seemed incredulous.
“No, nothing.”
“Well, that’s good.”
“Strange movie, though.”
“What?”
“The movie I saw in there. Strange.”
My paranoia was stronger then it had been the previous day. I wondered if I had been in a mind control experiment. Get me off kilter. Turn my ups down and my lefts right. Why anyone would want to do that was a mystery to me. Because they can, I guess.
They brought me back to my room.
I lay, a little bit elevated. There was an ocean of revolving text on the walls. The TV screen, which was switched off, showed me a movie anyway.
There were characters on the screen. Not vivid and clear like on a normal TV screen showing a normal show. They were just barely visible.
One character had a bail of hay for a head. The round kind, not the blocks of hay you see in a normal bail of hay. It was spinning. A character next to him had a gold head. They were both talking. I don’t remember what they were saying.
When I looked at one head, the other one would do something. Spin or grow or shrink in size. When I looked at straw head, gold head would move and multiply. I looked back and where there had been one head now there were twenty. And straw head had gone from human head sized to bushel basket sized.
These transformations and machinations went on for a long time, while a chorus was playing in my ears. One drawn out word. “Sooo-oooo-Release!” Over and over again. Always the same. Melodically. Methodically. Mesmerizingly. Relentlessly. Totally.
This is all I can remember. I know that I saw and felt much more than this and I may be confusing things between the two nights. Maybe it was just one long hallucination. The mind control aspect was ever present. After the first procedure the night before, I said something to the technician about the jargon. “Two by fours? Two by sixes? Were you performing an operation or building a house!?” He smiled. He’s probably heard worse.
Everything had an urgency to it. It didn’t feel uncomfortable. Not terror. These were no nightmares. Nor were they visions.
They were odd turns of the mind.
Philip K. Dick would be proud.
Some Afterthoughts
Some things in these hallucinations were familiar. There was a ring to them that I had heard before. The way people stood at different angles to me I think was due to the fact that I have been wheeled around the hospital in a bed while people around me have been upright. So the idea that I might not trust my orientation or the orientations of others is unsurprising. As for the labyrinthine turns, that’s easy. The hospital halls are all labyrinthine. Up down around corners down elevators through doors. I’m surprised nobody used a card key anywhere. It makes sense that I would weave these into a hallucination. Why not?
The woman talking to me was the technician who checked on me while I was in a semi-drugged state. Her telling me to ‘look down’ when she meant ‘look up’ was just more disorientation. More gaslighting.
And then there’s the paranoia. I suppose a certain amount of paranoia is healthy. The world is a harsh place and there really are things that are out to get us. MKUltra for instance. This is not a conspiracy theory. It’s a real thing done by the real CIA to real people. The CIA that was founded by Nazi war criminals who were smuggled out of Germany at the end of WWII. Allen Dulles orchestrated it. It was called Operation Paperclip. MKUltra was a program designed to control people using drugs and disorientation.
I have no idea what the Stan and Ollie figures of the golden headed and the straw headed men were supposed to be. The melodious Sooo-oooo-Release! I took to be conditioning to get me to consciously forget what I had seen while retaining the subconscious instructions. That crafty CIA!
The odd thing is how much my mind fought back. I was constantly asking myself, ‘Is this real?’ I’d try to see people’s feet to see how they were standing. I’d say things to the technicians. What’s up with the two by fours? That was a strange movie. Etc. I was trying to get a look at what was there. To see who was pulling the levers. I love the British TV show, ‘The Prisoner.’ No. 6 was also trying to see behind the curtain.
The frightening part was how continuous things seemed. There was no cutoff between waking sanity and hallucinating lunacy. It just... flowed together. At the end, when I was in my room watching figures on the TV screen and dancing script on the walls, it all seemed real and I don’t remember when I slipped back into sanity. Maybe I just fell asleep.
Maybe I am still hallucinating.
